2 – Michael Delacour 1938 – 2023

Our dear friend, comrade, mentor, inspiration and sometimes critic Michael Delacour died March 9, 2023. Michael was a founder of People’s Park in Berkeley in 1969, but he was much more to generations of Berkeley direct action radicals. Michael was always in the struggle not as a remote self-important “leader,” but as an equal, in the trenches, a ground-level participant. He was the embodiment of direct action — not just fighting the police and stirring up good trouble, which was one of his talents — but building physical stuff in service of creating a new type of society.

He helped build the Park — convening a meeting where the Park was proposed and then bringing rolls of turf and shovels to the park. Building the Park was about living the revolution now — not just talking theory but physically constructing the world we want — a world organized around human needs, fun, freedom and the Earth instead of the system’s violence, pollution, technology and wealth for the few at the expense of the many. Building the Park was a communal effort — “Everyone Gets a Blister!” 

Michael wasn’t just interested in the Park — he wasn’t about nostalgia at all. He was about fighting for the underdog, the working class, the homeless — the struggle against apartheid in South Africa, Palestine… He built freeboxes at the Park just as fast as the police would destroy them. He helped organize squats — some as protests and others just to house people. 

Michael was a 1960s figure who treated younger people with respect and as equals — which unfortunately isn’t typical. Part of treating us as equals was giving us a hard time. When Slingshot and younger anarchists moved into the Long Haul, he said was going to organize “workers with axe handles” to fight off the anarchists…

Park activist Max Ventura wrote “If he’s looking down now, he’d probably be yelling at us all as we write about him, calling us elitists because we can write. How many times he yelled that at me when he wasn’t asking me to write something and then when I reminded him I have exactly zero plumbing or electrical or mechanical skills, which he used all the time in the movement, he’d nod. Often, the next moment he’d be chuckling, glad to be recognized for his invaluable skills and work. When there was water backing up in pipes to the park, he was out there trying to pinpoint the source of the issue. Always hands-on.”

Eggplant remembers “The first time i interacted with Michael Delacour was in the late 1990’s at a protest. Fair enough that was his life being at protests. We had assembled at Biko Plaza on the UC Berkeley campus to try to Stop the War on Palestine. It was one of those low tide moments of our movement when there were more cops than protesters. Even in the fucking bathroom. Half a dozen pigs doing the wiggle before the urinal just as we needed to. Upon exiting Michael said, ‘That was odd.’ I’m pretty sure he let out a ‘Brother’ as well. 

“Michael often would say ‘Brother’ and it didn’t sound fake. It actually sounded like he learned it when a great crack came in the consciousness. Saying Brother meant something and wasn’t a cliché. A realization of collective survival, collective work and celebration.

“To say Michael is a co-creator of People’s Park is reductive. He was a die-hard participant in the movement. And a very unique, specific creature of the movement. Michael lived as a Berkeley radical. When i met him he was moonlighting from the Park to uplift our local pirate radio station Berkeley Liberation Radio (based in Oakland) as well as be involved in city politics. Speaking out against the war, the Marines. Running his wife Gina as a progressive for city office, protecting KPFA from neoliberals.

“As Michael got older, our political situation just tanked. Bad people in power making the worst choices. People of conscience felt doom and dread. I would encounter Michael at People’s Park during Food Not Bombs — a good place to catch up with the freaks and gossip about the times. Michael was in deteriorating health. His inclination to complain turned to me: ‘You people at Long Haul what are you doing to stop the problem?’ 

“Yeah. Long Haul. Slingshot. Ineffective in stopping this shit. Band-aids maybe. Clean needles. A toilet and place to sit, to talk, open for 3 hours. A free newspaper. A library of Berkeley radicals ranting on paper. 

“Of course i would see Michael often at the Park his remaining days including that ugly hot mess when UC killed 47 trees. I missed the rally at Biko Plaza — arriving just as they marched. Telegraph Ave filled with hundreds of people, in angry focused chants “PEEEPLES PAAARK!” Very much like i would see when i was a teenager in 1989 but this time no one is breaking windows. Though honestly something is gonna need to scare away the chainstores from Southside. Maybe some fucking windows need to break. We soon occupied the park and Michael was amongst our defiant re-occupation as was Osha Neumann, Karen Pickett, Eddie Yuen, Mac from Funky Nixons, Lisa Stevens, Rusty — the amazing ancestors of crazed Berkeley radicals who were right all long but had to watch society go the other way. The drama heightened since we had about 40 years waiting for UC to wreak havoc on what we built. As awful it was to have the police invade, brutalize our people and the land, it was heart- warming to see ordinary people not be idle, rip down the fence and retake the park. Michael like the rest of us was clearly heartbroken and scared about the future. But he was also caught up in the beauty of the moment where hundreds of people were in the park. Mobilized. Some were heatedly discussing the future. Many were working in teams moving the fallen trees into defensive positions. And many more of us got comfortable standing our ground — ready to take on the next day.”

2 – Introduction to Slingshot issue 138

Slingshot is an independent radical newspaper published in Berkeley since 1988.

While making this issue, we’ve been weighed down with the psychological strain of world events — particularly the genocide in Gaza but also all the other uglies of discouraging climate news, racial and economic inequality, gentrification, homeless sweeps, attacks on trans people and immigrants, so many nasty power grabs… Awareness of the rising tide of suffering and danger lays down a floating sense of dread and stress like a wet blanket on our souls. Is it just us or is everyone reading this zine feeling this shit? It’s like when you have a lingering cold that makes it harder to get stuff done, get through the day or just feel okay. 

And yet there are big protests popping up all over — almost every day around the Bay Area and around the world. And there’s also a lot of life-affirming weird art and counter culture — so there can be an alternative narrative if you put down your screen. While we were making the issue we missed an anti-APEC march, a rally for Palestine liberation, a protest to keep the Richmond-San Rafael Bridge open to bikes, the annual anarchist BASTARD conference — and also zany stuff like a tweed bike ride, the Rocky Horror Picture Show at the Elmwood theater, Andrea Pritchard at the Freight… 

Slingshot started publishing in the 1980s before cell phones were invented — if you turn the fucking thing off for a few hours or even a few days you may notice the pace and mood lift. You won’t get all those texts and updates that interrupt your consciousness, so perhaps your mind can wander. Without scrolling, you’re left with contemplating the sky, hearing the birds, studying moss, noticing those around you. You won’t have a map and reviews to find a restaurant so you’re left to wander, look in windows and release yourself to serendipity.

Making this issue started with a big meeting, so it seemed like there would be plenty of volunteers and the zine could get put together easily. It takes 2-3 months from the first meeting until all 23,000 copies are mailed out — the collective editing process requires a lot of meetings and painstaking decision making about articles. The first pile of submissions gets sorted, sent back to revisions, then the group reads the revisions, culminating in a so-called all-night meeting to pick what to publish. Different people work with different authors. The paper copies in the binder fill with scribbled comments, suggestions and corrections. While a lot of people were at meetings for one stage of the issue or another, very few folks followed through with the whole process — which can make it hard for the group to be cohesive. There were many moments when it was uncertain if the issue could get finished. Various balls got dropped — articles we liked but the authors didn’t reply to an email about a suggested revision.

The whole issue comes together with a two day, 14 hour a day art party — and as we write this, it’s been feast or famine. Yesterday hardly anyone came by all day and then all at once at the end of the day a big crowd of artists arrived within a 30 minute period. Next time it would be much less chaotic if a few artists came by during daylight hours so the art could cook slowly like stew. 

Right before this issue, FP Press the employee-owned printing press we have been using since 1988 told us they were going out of business. We’re going to miss them — they always treated our odd-ball projects respectfully. We’re hopeful about our new printing press 15 miles from here. 

Slingshot is always looking for new writers, artists, editors, photographers and distributors.  Even if you feel you are not an essayist, illustrator or whistleblower you may know someone who is.  If you send an article, please be open to its editing. We are a collective, but not all the articles reflect the opinions of all collective members. We welcome debate and constructive criticism.

Thanks to the people who made this: Antonio, Becky, Chris, Daniel, eggplant, Finn, Gerald, Harry, Imani, Ingrid, Jack, Jake, Jesse, Josephine, Josh, Lola, Lucie, Mateo, Natalia, Robin, Ruby, Samiha, Sean, Taylor & all the authors and artists! 

Slingshot Article Submission Info

We’re not going to set a deadline for the next issue. We encourage you to submit articles for the next Slingshot anytime you want. We’ll make another issue when we feel like we’re ready. Please check the Slingshot website, indybay, instagram and facebook for deadline info. We also have an internal email list that will announce the next deadline so please contact us if you want to be added to the list. If you want to work on the 2025 organizer, work will happen starting in March — reach out if you want to draw art or do stuff. 

Volume 1, Number 138, Circulation 23,000

Printed November 17, 2023

Slingshot Newspaper

A publication of Long Haul

Office: 3124 Shattuck Avenue, Berkeley CA 94705*

Mailing: PO Box 3051, Berkeley, CA 94703

510-540-0751 slingshotcollective@protonmail.com 

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* Our office may be torn down in 2024 so check before you visit or you may just find a pile of rubble

Circulation information

Subscriptions to Slingshot are free to prisoners, low income folks, or anyone in the USA with a Slingshot Organizer, or are $1 per issue donation. International $3 per issue. Outside the Bay Area we’ll mail you a free stack of copies if you give them out for free. Say how many copies and how long you’ll be at your address. In the Bay Area pick up copies at Long Haul and Bound Together books, SF.

Slingshot free stuff

We’ll send you a random assortment of back issues for the cost of postage. Send $4 for 2 lbs. Free if you’re an infoshop or library. slingshotcollective.org

1 – Little Free Everything

By J. River Lerner 

As I walk around certain neighborhoods in Oakland, I notice the Little Free Libraries popping up like slow-growing mushrooms. Their caps bulge, birdhouse-like, on top of slender, painted-lumber stalks. One or two more with each season, spreading old how-to manuals and well-thumbed mystery novels like so many spores. And like mushrooms, though you can never predict exactly where they’ll sprout, it’s always in a predictable habitat: owner-occupied homes with well tended flowers and small signs that say “Science is Real” and “Our neighbors are welcome”. 

That they spring up in those yards, in these neighborhoods, isn’t an accident. Aesthetically, culturally, organizationally, financially: the little libraries absolutely shout ‘landowning class’. They’re built like little cabins, with shingles! They distribute books, one of the only things that we already have robust public infrastructure to freely distribute! There’s a multi-million dollar nonprofit that ‘charters’ the libraries and sells $400 kits to build them! And besides, they’re somehow exactly the sort of home improvement that probably increases a home’s value, but that your landlord, for inscrutable reasons, would never let you build.

So it’s not without reason that Little Free Libraries have become a symbol of gentrification and center-left land-ownership. But I still find them utterly inspiring. Because for all their baggage, these little libraries present a non-utopian vision of what anarchist economic infrastructure can look like, and provide a pragmatic blueprint for getting us there.

Little Free Libraries, fundamentally, are infrastructure to facilitate mutual aid. Rather than the casual transactionalism of a yard sale or petite capitalism of a used bookshop, they are genuinely free and non-coercive, requiring neither monetary payment nor bureaucratic limbo. Rather than the careless charity of a box of books left on the sidewalk, or the structured state distribution of a public library, they encourage those who take to also give, and those who give to take; in fact, the host of the little free library, though often dispro-portionately supplying books, gets the benefit of having this community-replenished library right at their door. And as physical spaces, they’re able to exist independent of, and for those without access to, the increasingly monopolized and segmented internet sphere.

For our communities to flourish, and for us to provide viable alternatives for survival outside of the state and capitalism, mutual aid cannot just be a series of one-off events, acts, and campaigns. We need to build structured opportunities for mutual aid into the physical fabric of our communities, at the most intimate and local level. 

I think this starts by allowing ourselves to imagine places for community members to share goods of all sorts. In Little Free Libraries we have a robust, active model of hyperlocal and hyper-specific micro-distribution centers throughout our streets, stocked and maintained by the community, providing books without coercive demands of payment or registration. 

So, why just books?

Let’s imagine little free everything, all our daily needs distributed via lovingly labeled shoe boxes, dilapidated but well-muraled file cabinets, and excessively bedazzled tool sheds throughout our neighborhoods.

There are long histories of community pantries and fridges to share food within neighborhoods. What else can we build infrastructure to share? Let’s imagine little free pharmacies, with tampons and tylenol and the extra toothbrushes from when buying a 4 pack was only 1 dollar more. With QR codes linking information on no-fee clinics and abortion access. Little free auto shops with the half pint of oil or half gallon of washer fluid you didn’t need, and a link to a whatsapp group for help or advice from knowledgeable neighbors. Little free costume libraries and art-supply drawers and toy shops and seed shares!

I want to walk down my street and see passion fruit vines growing over the crates where canned lentils and peaches can be found. To tuck tightly rolled t-shirts into chain link fences organized by size and find my new summer sandals in a repurposed newspaper box. To steward a little free kitchen supply on my Tuesday afternoons, labeling new arrivals with colored stickers so I can move the oldest to another location if space gets tight. I want to place well-labeled batches of soup made with my grandmother’s recipes into a parking lot fridge muraled with bright flowers and birds.

This vision has inspired me to begin building these genre-specific little free stores in my own neighborhood. As I do so, I spend a lot of time thinking about how to divorce these new projects from Little Free Libraries’ petit-bourgeois ethos. I think we can do this not just by moving beyond books, but broadening aesthetic possibilities, and placing them in reliable public spaces as opposed to land that we own or rent. Why replicate suburban, birdhouse aesthetics in these projects? Put a 5-gallon tub on cinder blocks; give it a little sign. Zip tie a milk crate to a chain link fence, or hang it from a tree. Glue instructions with what to leave onto a dresser or file cabinet that someone is giving away. Landlord not into it? Try the empty lot next door, the center median, the more chill neighbors down the block. What’s important is creating a space with a clear enough purpose to facilitate community use, and upkeep, and love, and stewardship.

This is something that Little Free Library, as a phenomenon, has done brilliantly. The concise, three-word title tells you exactly how to use the space. More importantly, it calls out an ideology behind that space. A means of distribution that is piecemeal, hyperlocal, and utterly non-coercive. Naming our spaces can inspire care, identity, mythology. “The Ursula K. Le Guin Memorial Pantry” and “Little Free Shoe Store” both carry more cachet than an unlabeled box of food or shoes. The name allows that box to become a place, not just a resource to neighbors but a part of the fabric of neighborhood identity and mythology, shaping our local geography to facilitate mutual aid and communal upkeep of infrastructure. And even, perhaps, inspiring more little free distribution centers to follow in its wake.

So this season, new kinds of mushrooms will grow, in different habitats, spreading different spores. But mushrooms are just the fruiting body. If you listen closely, they will always speak softly of the messy mycelium of interconnected mutual aid networks, always growing, just below our feet.

1 – Eclipse this shit

By a beach bat

It’s a foggy morning in the Inner Sunset, where I’m perched on a stool in my sister’s kitchen. The light in the kitchen is gray and flat, and somehow the city feels vague, impossible to make words out of. For a few seconds at a time, though, weak sunlight will filter through the big windows, which are partially blocked by hanging pots of ferns and string-of-pearls. In those moments, the flat light becomes rounder and softer, glowing with a tinge of green. It is in the green light that words come to me, all in a rush. I try to get them down before the next cloud covers the sky. It’s late October, 2023. 

***

The genocide in Palestine seems to be reaching its final stages. On a Tuesday, a hospital in Gaza is bombed and a thousand people die, and then on a Wednesday, Biden is sending $14 billion in aid to Israel. I’m wondering what it might take to get us out of our simulation of normalcy. Here, in the US, we have developed quick and efficient methods of processing this kind of news. It’s hard to grieve through a screen; sometimes the best we can manage is a fleeting anger and outrage towards the state. “Disbelief” is no longer the right word, because it’s all so routine—even literal funding and propaganda for genocide makes sense within this state.

Maybe it’s good that we expect these things to happen, that we have a complete lack of faith in our government achieving anything beyond violent colonialism. But at the same time, I wonder about our desensitization to death, which maybe is caused by our desensitization to life. In other words, would we have a different response to mass death caused by colonialism if we could read our own lives in sharper focus? I don’t want to write an article about Palestinian liberation because I’m not an authority on Palestinian liberation. I know that liberation from any system of oppression only works if it is led by those who are the most oppressed by that system, through any means necessary. But I also know that no one is free until everyone is free, and that our complicity in the US empire not only fuels ethnic cleansing, death and destruction—it also makes our lives duller. It limits our intelligence, shrinks our autonomy, and diminishes our sense of awe and wonder towards life. 

We should care about what’s happening in Palestine—yet another apocalypse for people of color—not only because humans should care about each other, but also because their crisis is intrinsically tied to our own, even if the two cannot be equated. While some of us have no idea what it’s like to live through apocalypse (yet), our self-perpetuated oppression—this commitment we have to living under this state—kind of devalues what it means to be alive in the first place. 

It reminds me of this quote I heard in an interview with Ruth Wilson Gilmore, who was talking about the prison industrial complex and our detrimental eye-for-an-eye approach to criminal justice. She said, “where life is precious, life is precious.” She was referring to the paradox of throwing one life away in an attempt to help heal another (i.e. putting someone in prison because they have harmed another person). If society doesn’t treat all life as precious, we can hardly expect it to treat any life as precious. And if we don’t treat our own lives as precious, if we don’t deeply care about what it means to be living, I don’t think we are going to care as much about all the ways the state can dole out death—from air strikes and concrete cells to the slower killers, nine-to-fives and unaffordable housing…

***

I feel this sense of relief when I go to the San Rafael dump. It’s similar to the feeling I get when it starts raining. At the dump, it’s loud and big and chaotic, and the towering piles of trash make you feel like you’re in a dystopian sci-fi movie. For some reason, they have peacocks there. You go to the dump expecting it to be a chore, the least glamorous part of fixing up your backyard, and instead you end up in another world for half an hour. 

Like when I saw that solar eclipse in 2017. We were in this huge cornfield in Independence, Oregon. There were a bunch of posters taped up around town that read “INDIE GOES DARK!” I’ll never forget how it felt to be sitting there on the roof of our car, my world familiar and true, and then watch the moon pass over the sun. The sky went black in the middle of the day and the birds stopped singing and we saw stars. Someone nearby howled, and I started laughing and crying at the same time. You think life is one way. The job you have and what time your alarm goes off in the morning. The sprawling clocks and calendars inside your mind. The decisions your fucked up president makes on a regular tuesday, and the momentary disgust you feel before you keep scrolling on instagram. But then you go to the dump and there’s peacocks there, or you wake up in your new apartment and on your way to the corner store it’s just pouring rain. You think life is one way until you’re watching an eclipse and everything inverts upon itself and you realize the darkness was there the whole time. For a few minutes, for half an hour, you’re not a citizen of any state. You’re just a creature, autonomous and alive. For half-hours at a time, life becomes precious.

Increasingly, I have found myself living for those moments. Nothing makes sense to me anymore: the way we structure our time, the concept of working, of saving money or spending it. Ambitions and “dreams,” purpose, talent, fate. All the weighty labels, the abstractions of who we are — I can now see that they’ve always been, at least in some ways, tied up in what the system requires of us. I used to think I was very smart, and that there would be a place in society for me to use my skills and do something important. I had faith that there was a clear path to follow, and that following this path was the way to right wrongs, to solve injustices, and to have purpose. The disillusionment has been creeping up on me for a long time, but I guess it recently wormed its way to my core. 

I look around bleakly from where I stand, at twenty-two, and I’m not sure what to make of the view. The sun doesn’t seem particularly warm, but it isn’t cold either. There are people on the street; some of them walking quickly with their heads down, others talking to the road signs or yelling at the sky. And there are coffee shops and abandoned houses and office buildings. Billboards and parking lots. I’m not sure where it’s all headed. Where I’m headed within it. My eyes always seem to rest on the fences. Maybe that’s my own problem. Society all sprawled out in front of me, and all I can see are the artificial barriers. All I can imagine myself doing is buying a pair of bolt cutters.

We are taught to believe it’s all part of the masterplan: people sleeping on streets, colonial states dropping bombs, supreme court rulings, elections, job interviews, getting engaged. Ingrained within us is this false notion that there is a point behind it all — that the path we are on has a destination. But what kind of masterplan is it if it does not honor life? If it has no problem killing thousands of children along the way? We don’t need to wait and see if things will work out. Things did not work out. Are we really holding out for nothing more than a better president, a less miserable job? Is that the best we can dream up — the most accurate amalgamations of our beautiful and messy reserves of desire? 

When you live within a failed experiment, life knows no boundaries. There’s only one thing that we shouldn’t be doing, and that is continuing to follow the obsolete plot. Yeah, the plot was compelling for a while. And maybe when it stopped being compelling, it became comforting. But I think it might be time to follow something else, now. 

I think I’m going to follow the look you’re giving me from your balcony on a friday night, as the stars rise low over west oakland and tires screech from the road beneath us. I’m going to follow the feeling I get from playing pool in the rain at Eli’s, or reading the last page of Josh’s zine, or sexually harassing cops that have the nerve to walk around my neighborhood. I’m going to follow heartbeats and fingertips and flirtatious eye-rolls, and the tears I cry for you and the tears you cry for me. I’ll follow the impulse to fight when I want to fight, and run when it’s better to run, and be quiet and listen when it’s time to take instructions — I’ll follow rage, and tenderness, and I’ll follow the warmth I feel when the light softens in my sister’s kitchen…

***

I guess that’s why it took me so long to write this: I kept waiting for the light to tinge with green. For my surroundings to tip just a few degrees into the abnormal, and for my brain to process it as the extraordinary. In those moments I feel the weight of my life, all tied up in the weight of your life, and the weight of death. 

It sounds like a heavy burden to carry, but somehow it’s so much lighter than the dullness I felt in that flat light. 

1 – My jiddo fled genocide in Palestine so I could be free

Cw: murder, Palestinian genocide 

By Laila/Laiq R. Makled

In 1948, at the age of seven, my jiddo (grandpa in Arabic), his parents, and his six siblings were forced to flee from their home in Haifa, Palestine. A few years ago, my jiddo told me his memories of standing on a balcony, seeing naked dead neighbors in the streets, hearing screams in the distance, children “going crazy” because their families were gone. That morning, they ran for their lives to the Mediterranean.

My family was privileged and wealthy: They owned an olive oil mill and property in Palestine, so they had resources to flee and survive for some period of time.

When they got to Sur, Lebanon, my great grandmother, Badrieh Al Khamra, started to sell her jewelry to keep everyone fed. This kept my family alive for a while, but after five months, it was gone, and everyone started to starve.

So, with nothing but the clothes on their backs, they got on a cattle train to Aleppo, Syria. The trip took a few days. Eventually, they arrived in Aleppo, where they stayed for six months, before settling in Damascus, Syria. What ultimately helped pull our family from starvation to survival were two things: My great grandfather, Ahmed Izzat Taha, spoke English and also had a college degree.

It was incredibly hard for Palestinians to get jobs at the time, so having an education meant everything to my family. And for the Tahas, they experienced how a degree could mean the difference between having dinner and not. Over his life, my great grandfather published and translated 46 books, including The Oregon Trail and Cheaper by the Dozen.

In 1959, my jiddo Nabil Ahmed Izzat Taha was accepted to Purdue University with less than $20 to his name. He worked as a dishwasher making 80 cents an hour to pay for school and housing. In 1964, while at a church event to get some food, he met my grandma: Sharon Elizabeth Hood, a young white, Baptist, small town girl from Texas. Not long after that, on February 24, 1965, my mom Rhoda Nabil Taha Makled was born in Baytown, Texas to a white Baptist mom and Muslim Palestinian dad.

My grandma’s unexpected pregnancy forced both families to reckon with how they were going to integrate their lives — and so they did. My grandma not only supported my jiddo, the father of her child, in becoming a citizen, but many of his other siblings as well: writing Congress, filling out immigration paperwork, etc. And on March 6, 1969, under the affirmation and witness of my maternal great grandparents, Earl Winfred Hood and Elaina Marie Hood, my jiddo was recognized as a United States Citizen by the District Court of the United States in Houston, Texas.

This narrative of a wealthy family, turned poverty stricken refugees, turned American Dream may seem like the inspiring story the colonizer propaganda machine wants us to hear. But this story continues to be marked by tragedy.

With a darkness looming over him, I can hear my jiddo saying to me: “I am completely broken at this point.”

The impact of this apartheid, of Israel’s ethnic cleansing of Palestinians, continues to impact this generation and generations to come. Genocide carries itself in our bodies, beckoning us to tend to its healing and to honor the pain and devastation it has caused. Every few months, when Palestine is in a news cycle, we are forced to relive the trauma our family went through while watching other families continue to suffer. It’s incredibly painful to witness, and all people who come from Palestinian bloodlines are survivors of this tragedy. Regardless of what’s in the news, my jiddo, now nearly 85 years old, still gets night terrors.

I called my mom the other day to let her know I was writing this piece and to check in with her about how she’s feeling about the news. She was struggling, talking about how her whole life she has felt so confused and hurt and disconnected from the struggles in her heart about Palestine. She told me when she read this essay that I put words to feelings she has long struggled to put words to. This is what she wrote to me after our conversation:

“In a world where colonization still draws painful borders around Indigenous lives, through silent echoes of the past and loud clamors of the present, the narrative of my dad’s shattered dream and unyielding survival stands as a testament. It is a soul-stirring reminder of the human spirit’s unyielding flame, burning fiercely amidst the chilling winds of conquest, illuminating the paths of resistance for generations to come.”

In the spring of 1992, I was born to a Muslim Lebanese dad and my mom. Today, 31 years later, and 75 years after my family escaped the Nakba, I live on Confederate Villages of Lisjan territory in Oakland, California. On Trans Day of Visibility this past year, I posted a photo of me after top surgery, talking about what it means to me to be trans. This is what my jiddo said:

My jiddo fled genocide by Israel in 1948, and I get to be free as a transgender person with access to things like gender affirming care and community in 2023. My jiddo always tells me he is proud of me for just being me, and I truly believe him when he says that. He has endured so much, and to see his grandchild live in such a loving and fulfilling way, is a dream come true for him.

A few months ago, when I asked my jiddo if he considered me a Palestinian, he said, “nothing would honor me more.” 

That is why I’m sharing this story. I carry my Palestinian elders and ancestors in my heart and body everywhere I go. It is not a separate part of me; it is me. It is part of where I come from. I come from the land and people of Palestine. I am a transgender Palestinian.

A free Palestine means a freer world. Wall-shattering resistance from Palestinians is a direct result of 70+ years of colonization, land theft, occupation, and apartheid. It is the result of traumatized, imprisoned, and oppressed people fighting back.

Do not be silent. Have conversations with people in your life. Call and email your legislators and demand a cease fire. It matters when you stand in solidarity with people as they fight against militarized and global forces that want them extinct, especially when those forces are backed by biased mainstream media.

I hold all oppressed people fighting for liberation in my heart. Black liberation, sex worker liberation, Indigenous sovereignty, transgender liberation, Palestinian liberation — it is all intertwined as we aim to decolonize and return home. 

I read this piece to my jiddo before publishing, and I asked if there’s anything he wanted me to add. With a glimmer of hope in his eyes, this is what he said:

“We [Palestinians] are not going away. We’re in this world to stay, and the world is going to have to deal with us.”

Back Cover – Spell of the Future (Calendar)

March 8 – Free All Ages
International Women’s Day

March 12 – Noon Free All Ages
Mobilize Climate Healing Gathering – People’s Park, Berkeley

March 12 – 7 pm Free All Ages
Party to mark 35 years of Slingshot collective publishing – Long Haul 3124 Shattuck, Berkeley slingshotcollective.org

March 13 – April 19 Free All Ages
Contact Slingshot if you want to help edit and add dates for the 2024 Organizer slingshotcollective@protonmail.com

March 15 – 6:30 – 8:00 pm
The Common Goodness of People and A Father Escaping Nazi Germany – 2 Authors -The Green Arcade 1680 Market Street SF

March 21- Free All Ages
National Day of Action to demand banks stop funding climate chaos – cut-up credit cards, protests at banks. Everywhere – organize one in your town. mobilize.us/thirdact

March 31 – 6 pm Free All Ages
San Francisco Critical Mass bike ride – Justin Herman Plaza (Market/Embarcadero), SF • sfcriticalmass.org

April 2 – 2-5 pm
Queer Survival Skillshare: bike maintenance and repair – Oakland location, DM @queersurvivalskillshare on insta – they have lotsa other events every week – too numerous to list them all.

April 14 – 8 pm Free All Ages
East Bay Bike Party – at a BART station to be announced
eastbaybikeparty.wordpress.com

April 20 – Free All Ages
Contact Slingshot by April 20 if you want to draw art for the 2024 Slingshot Organizer slingshotcollective@protonmail.com

April 20 – 22
Decolonizing Economics Summit – Virtual event with an in-person closing ceremony in McKinleyville decolonizingeconomicssummit.org

April 22 – 23 Free All Ages
People’s Park Anniversary concerts. East of Telegraph Ave between Haste & Dwight, Berkeley peoplespark.org

April 22 – 10:30am to 4:30pm
Milwaukee Zine Fest – Central Branch of Milwaukee Public Library binderymke.com/milwaukeezinefest
May 5 – 8 pm Free All Ages
San Francisco Bike Party – at a BART station to be announced sfbikeparty.wordpress.com

May 7 – Free All Ages
Dear Diary Zine Fest • Humanist Hall, 390 27th Street, Oakland, CA
instagram.com/deardiaryzinefest/

May 27 – 28 Free All Ages
Art weekend to make 2024 Slingshot Organizer – Long Haul 3124 Shattuck Avenue, Berkeley. slingshotcollective.org

May 27 – 28 10 – 5 Free All Ages
Montreal Anarchist Bookfair – at CCGV (2450, rue Workman) and CÉDA (2515, rue Delisle) anarchistbookfair.ca

May 28 -11 am – 6 pm Free All Ages
LA Zine Fest 2023 – Long Beach at the Expo Arts Center – lazinefest.com

June 23 evening Free All Ages
San Francisco Trans march – meet at Delores Park

July 1-7 Free All Ages
51st National Rainbow Gathering in PA or NH – ask a hippie for location

July 19 – 23
Swiss Anarchist book Fair 2023 – Rue jonchère 64, 2610 St-Imier – anarchy2023.org

August 13 – 7 pm Free All Ages
30th birthday party for Long Haul Infoshop collective -3124 Shattuck Avenue, Berkeley – thelonghaul.org

October 14 – 15
San Diego Zine Fest Location: Bread & Salt
www.sandiegozinefest.com

a15 – The lunatic fringe of literature

By Jose Fritz

Oh here we go again. Independent publishers send us their work for you to discover. Consider making your own “zine” to trade them and send us a copy.

Big Builder

amorphouspieces.bigcartel.com/

Mock Duck Press – $3

This is more of a best-of collection than a true zine. But the juxtaposition of era-correct advertisements and quality articles made it irresistible. I had flashbacks to both the beginning of Melvins and the end of Squirrel Bait over the course of 64 pages. There’s a nice undercurrent of noisy sludgy music content with bands like Shellac, The Jesus Lizard, Killdozer and No Means No, all sporting lengthy interviews.

The varied source material (Kill Everyone Now, Forced Exposure, Dissent, Kerrang!, Skateboard etc.) does lead to a somewhat inconsistent formatting and style. But the project was worth doing. These pieces shouldn’t be lost in the garage, buried at the bottom of a milk crate, underneath moldy mic cables. Any modification of the original works would have lost something in translation, time traveling between now and the late-1980s. 

I do have open questions about the copyright issues inherent in this kind of compilation… but oh well. Be gay, do crime? 

Let Me Put My Pants On 

etsy.com/shop/aBookof3

Anonymous – $22 (set of 3)

This is not one zine but one in a set of three zines: Let Me Put My Pants On, All The People I’ve Peed With, and Thread Direction is For Ass Holes. It’s an epic first-person, per-zine and runs for about 150 pages across the three volumes. We are into novella territory here. 

I read all three straight through and found it riveting. The author is anonymous for most of the run but concedes the nickname “teenage Boy” in part 2, and then to the name Lisa in part 3. Whatever her real name is, she’s a crust punk and these zines tell the story of her travels, her friends, allies, enemies, lucky breaks and epic failures. 

Most americans live in what Henry Miller called the air-conditioned nightmare. Very few people ride the rails this way anymore and she doesn’t pretty it up. The story is complete with all the mud stains, bruises and cigarette holes. It’s like Tom Kromers’ Waiting for Nothing in that way. A lot of time is spent drinking, fighting, passing out, sleeping in bushes, and occasionally waking up with no pants. Life is hard on the road. 

I’m told that today’s crust kids appreciate Chris McCandless more than Kerouac but it often reminded me of The Road anyway. It’s that escapism, that celebration of travel as pure freedom. I don’t know about you, but the M&H freight train comes through my town. I can’t help but hear that whistle now. I hear that train a-comin’, it’s rolling ’round the bend… 

HИЩETA МУЗЫКa

Anonymous

This zine is a work of art with wild varied formatting and mixed ink printed pages. But without context I was a bit lost. After a bit of scrolling through the Cyrillic alphabet I found that the title translates to “Poverty Music.” I reached out to The esteemed Robert Eggplant for guidance and was put in touch with its creator, a Slingshotter named Josh. He filled me in a bit more:

“Really the intent was to write a few pieces of personal experiences which were tied to songs or music which were appropriate to the emotions or ideas in the piece. There are actually song lyrics scattered throughout the zine and titles of songs in the contents page… in the zine they are untitled and devoid of music and in this sense out of context which sort of leads me to my intention, which was that hopefully someone reading it comes across one of these lyrical fragments which are in the zine and searches up the song which it actually belongs to and then hears these beautiful songs in their original context. So… sharing some of my favorite songs while not depriving someone of the process of discovering it themselves. 

As a professional music fiend, I’ve identified a few songs already but the joy is in finding them yourself. Life is about the journey, not the destination, as Emerson once wrote. But he also wrote “Music takes us out of the actual and whispers to us dim secrets that startles out wonder as to who we are, and for what, whence, and whereto.” No spoilers of course. 

The People In My Panic Room

24 pages $5.00

PO Box 1547

Phoenix, AZ 85001

fluke.bigcartel.com/product/the-people-in-my-panic-room

This is one of my favorite art zines to ever roll off a Xerox machine. It’s the debut zine by Brooklyn-based artist Ian Addison. It’s filled with black and white collage works created between March and November of 2022. 

Most of the twenty-two original artworks take the form of surreal portraits, with the subject’s faces obscured and/or defaced with images and/or text. While some of the works are clearly altered digitally, others have a more analog origin appearing to have been attacked with scissors and blobs of paint.

The collages act as an introspective look into the artist’s mental health. On the title-page Addison calls it a “monochromatic wonderland.” But the images actually remind me of some of the more disturbing paintings of Francis Bacon, namely his `screaming pope’ series from the 1950s

None of the images are pretty, but many of them probably were originally and that is probably the point. Addison is trying to tell you about the state of his innermost self — his mental health and its blemishes, scars and the open wounds. So it’s a little dark and a little ugly but it’s true and the truth is always beautiful somehow. OK, maybe that’s not true, but it sounds like it should be.

TAZ

instagram.com/roguexwriters/?hl=en

The subtitle here reads “Even the Concept of Countries is Temporary.” But this is no geopolitical diatribe. It’s a series of essays, interviews and excerpts approaching Rave culture anthropologically. The assessment is overdue, Disco Biscuits came out over 25 years ago. They’ve passed the literature-grade acid test and the genre belongs to the ages now, just like the beats, the punks, dadaists, postmodernists, and hungryalists.

Can a rave be a TAZ? The “T” does stand for temporary. TAZ makes these points eloquently, focused on the definition of the temporary autonomous zone (TAZ) as a free construct like a permanent autonomous zone (PAZ) differing only in duration. 

Different articles chronicle the history of Rave movements in different places: Jamaica, Detroit, the UK, mainland Europe, Chicago and how they grew, and mutated to create the modern phenomena. The best material here came in the form of interviews with people who were there. That kind of oral history is too often lost. Here it adds great depth to the story. 

Work like this could have strayed into academia but it stayed true to a more traditional zine style. It was for the best keeping the stories accessible and true to the loud, sweaty, drug-addled nature of a real rave. That stylistic decision preserved its authenticity; leaving the stories intact and alive.

It’s worth noting that the writers, and even most of the interviewees in this zine are anonymous. But I do recognize the pseudonym moldyroot from the 6-Beet Manifesto published in Slingshot last October. That too was an excellent read — highly recommended. 

NXOEED #2

40 pages – $5

PO Box 1547

Phoenix, AZ. 85001

fluke.bigcartel.com/category/nxoeed

Do you need any spare monsters? I can probably provide some direction here. NXOEED goes back to the very beginning of Fluke Publishing. I see his work online often. If not here, then you probably saw his work in NXOEED #1, MNRL CVLT Field Report or Miscreant to name a few. This new issue of NXOEED does away with the journaling and provides even more beasts and fonts. It’s 100% content and 100% on message.

It’s been rephrased often but I think the original line is from The Price of Tides, where author Pat Conroy wrote “Monsters are people too.” Few other monsters have been shared so widely. Ed “Big Daddy” Roth comes to mind. He propagated the Rat Fink onto T-shirts, plastic toys, album covers but he kept the Ratfink trademarked and inside his castle walls. 

NXOEED’s creations are truly free range monsters out wandering the prairie and country roads. You can make buttons, stickers, patches, album covers and re-use them in virtually any way. They’re all free to use in any way except NFTs. Those are monstrous in a totally different way. 

INVISIBLE EYE #2

$11 – (48 pages)

PO Box 1547

Phoenix, AZ. 85001

fluke.bigcartel.com/product/invisible-eye-2

We have all seen old art flyers taped up, glued up and slowly dying in the elements. It’s been in the sun, and the rain, it’s been torn, and maybe it’s already been partially covered by another layer of stickers and flyers. They build up in layers in some places like finger grease on a fretboard. 

OK, yes that’s a little gross, maybe another metaphor would be better but you get the idea. You only see part of it at one point in time and never see the whole of it, and never, ever do you know the context. Is it a basement show? A scavenger hunt? A neighborhood tag sale? We walk past quickly and never piece together the code.

Let’s pause on the word “code’ because this is Invisible Eye issue #2. I can tell you I spent hours decoding issue #1 because that’s the type of mad midnight typewriting finger pounder that I am at heart. I need to know the bleeding details. 

I can testify that issue number two doubles down on the codex. It’s twice as much psyched energy and obscurity and expands from basic numeric and alphabetic substitution codes into hardcore geometric codes and symbology. They have cranked the volume dial to 11. But don’t let it stop you. 
You just need to come prepared. Don’t bring a knife to a gun fight. I’m going to recommend good lumbar support, gloves, a mouth guard, a helmet if possible and a TI-81 graphing calculator or better. Don’t forget to pack water and snacks, this is going to take a while. I hope you are off work tomorrow.

a14 – Jen Angel 1975-2023

By Ryan Fletcher

Beloved long-time social justice activist, anarchist, and owner of Angel Cakes bakery, Jen Angel died on Feb. 9, 2023. Jen passed on after three days on life support following critical injuries in an apparent robbery outside of a bank in Oakland, CA. 

For over 30 years, Jen Angel was a visionary influence and pioneering participant within multiple movements and sub-cultures that have significantly informed and shaped our world today. Jen has been a tremendous inspiration to me personally, providing a model of a life well-lived off the beaten track, in pursuit of a new, better and more just world. Ten years ago, we founded an activist media project together. 

Her involvement in punk rock and independent publishing in the 1990’s helped to codify the DIY ethic that has defined radical sub-culture. This work then fueled the Global Justice and anti-war movements of the early 2000’s and infused the anarchist politic that characterized this era of activism and gave way to Occupy Wall Street in 2011. These movements were a catalyzing force behind contemporary fights for racial justice, police abolition, climate justice, economic justice, and queer and gender liberation. Jen, through her projects, passion, and drive has been a throughline in these social movements over decades. 

Jen founded the social justice event production organization Aid & Abet. Jen was the co-founder and publisher of Clamor Magazine, a bi-monthly alternative magazine published from 1999 to 2006. In 2013 Jen co-founded Agency: an Anarchist PR Project, which promotes anarchist ideas to the public through commentary, media relations, and educational campaigns. Following media relations work we did together during the Occupy movement, Jen and I teamed up and created Agency. The mission and infrastructure she made possible continues to endure. The project marks its 10th anniversary this year. 

Anarchism was especially important to Jen, as was anarchist publishing. She was a PM Press author and part of the organizing collective for the Bay Area Anarchist Bookfair for many years. She was involved in planning the 2023 book fair at the time of her passing. 

As an anarchist, Jen did not believe in state violence, carceral punishment, or incarceration as an effective or just solution to social violence and inequity. This message has been a core part of our work, as Jen’s family and friends, to respond to media interest in her life, and the circumstances that led to death — especially because her case has been classified as a homicide. The outpouring of mutual aid, solidarity, and care for Jen, her family, and friends is a resounding demonstration of the values Jen believed in. 

If the Oakland Police Department does make an arrest in her case, the family is committed to pursuing all available alternatives to traditional prosecution, such as restorative justice. This is what Jen believed in. It’s critical that stories referencing Jen’s life should not further inflame narratives of fear, hatred, and vengeance. Jen opposed the use of public resources for policing, incarceration, and other forms of state violence that only perpetuate the cycles of violence that resulted in her death. 

Jen believed in a world where everyone can live a dignified and joyful life and worked toward an ecologically sustainable and deeply participatory society in which all people have access to the things they need, decisions are made by those most directly affected by them, and all people are free and equal.

Jen Angel’s legacy is one that contains multitudes, among them was a deep commitment to safety and dignity for everyone. Rest in power, dear friend. 

a14 – Join the Conspiracy to make the 2024 Slingshot organizer

Contact us by April 20 if you want to draw art for the 2024 Slingshot Organizer — you do not have to live in California to be a co-conspirator. Around 30 artists from all over contribute to each edition. 

Also please send additions and corrections for the radical contact list by May 19. We’re especially looking for contacts in under-represented areas, states and countries: cities that are NOT college towns particularly in the South and midwest — anywhere in Alabama, Hawaii, Mississippi, New Hampshire, Oklahoma, Puerto Rico, South Carolina, West Virginia and Wyoming. Also especially spaces in Africa & the Middle East.

If you want to work on editing and adding to the radical historical dates, reach out between March 13 – April 20. We want to add protests or notable events from 2022 / 2023, older stuff we’re missing especially marginalized issues and movements, and we need help proofreading to try to locate and correct errors. 

If you are in the Bay Area, join Slingshot for two art party weekends to put the organizer together by hand May 20-21 and May 27-28 at Long Haul 3124 Shattuck Avenue, Berkeley. “It is like a 24/7 art rave — but geeky and free.” You can drop by for an hour or stay all day. 

Selling the organizer enables Slingshot to print and distribute this newspaper for free. The 2024 organizer will be available sometime in August. If you know of a store in your area that could sell the organizer, let us know. 

We have extra copies of the 2023 big spiral bound organizer — contact us if you can distribute a dozen or more copies for free to youth who wouldn’t otherwise have access — particularly in the midwest, south, and other areas outside of the hip urban bubble: slingshotcollective@protonmail.com. We’ve already sent boxes of free organizers to youth in Florida, Illinois, Louisiana, Minnesota, New Mexico, North Carolina, North Dakota and South Dakota.

If you still want to buy the 2023 organizer, there is a list of bookstores and distributors at slingshotcollective.org. 

a14 – Shelters for freaks

Compiled by Jesse D. Palmer

Building community outside the narrow confines of the internet, consumerism, and alienated labor demands physical space for face-to-face interaction — forest camps, ragged artists warehouses, illegal venues, feminist bookstores and cluttered storefronts bursting with books, free piles, bike tools and Food Not Bombs. The good news is that the underground is thriving post-Covid — the following list of new spaces we’ve heard about and updates to the Radical Contact List in the 2023 Slingshot organizer is the largest we’ve published in years. You wouldn’t know it by paying attention to mainstream media, but we may be living in a golden age of counter culture. All these projects are waiting for you to walk through their door and put your time and heart into something that matters, not the dying empire. Plugging into something bigger than yourself is what makes life worth living and it’s the only path away from isolation and towards connection and love.Please let us know if you hear about spaces we should include. There’s even more info on-line at slingshotcollective.org.

Community Books – Stone Mountain, GA

A new community book store that aims to bring affordable new, used and radical books to a largely Black working class community that currently has no bookstore. They say that Stone Mountain “is at the center of antiracist struggle in the US south.” 978-A Main Street Stone Mountain, GA 30083

Wild Soul River – Williamstown, MA

An abolitionist herbal gathering space and herb / tea / healing store that hosts events. They have three free mutual aid shelves, fentanyl test strips and COVID rapid tests. 248 Cole Ave. Williamstown, MA 01267 413-597-1172 wildsoulriver.com

Source Bookstore – Detroit, MI

Independent bookstore that hosts events. 4240 Cass Ave, #105 Detroit, MI, 48201 313- 832-1155 sourcebooksellers.com

Trident Booksellers and Cafe – Boulder, CO

An independent employee-owned bookstore and cafe with Buddhist roots that hosts events. 940 Pearl St. Boulder, CO, 80302 303-443-3133 tridentcafe.com

Solidarity Fridge  Las Vegas, NV

Community refrigerator, pantry, and garden. 5502 E. Blackthorn Dr. Las Vegas, NV 89142

The Radical Cat – Reno, NV

Feminist bookstore, cat adoption center, and community space that hosts events 1717 S. Wells Ave Reno, NV 89502 775-409-3152 theradicalcat.com 

Free Black Women’s Library – Brooklyn, NY

A library featuring 4000 books written by Black women, social art project and interactive installation that hosts events. Open 1pm-5pm Weds/Thurs, 1pm-6pm Sat/Sun. 226 Marcus Garvey Blvd, Brooklyn NY 11221  thefreeblackwomenslibrary.com

P.I.T., The – Brooklyn, NY

A community space, venue and infoshop that sells books and records. P.I.T stands for “property is theft.” 411 South 5th Street Brooklyn, NY 11211 347-763-0333 propertyistheft.org

Hella Positive – Oakland, CA

A clothing store that hosts events. 1606 7th St, Oakland, CA 94607 hellapositive.com

Fallout SF – San Francisco, CA 

An underground (literally) radical, collective, punk community art space that hosts events. 50-A Bannam Place San Francisco CA 94133 falloutsf.com

Fluid Cooperative Cafe – San Francisco, CA

A transgender, non-binary, and gender non-conforming owned cooperative cafe that hosts events. 332 Golden Gate Ave. San Francisco, CA 94102 fluidcoopsf.com

Medicine For Nightmares – San Francisco, CA

A bookstore with radical materials and art gallery that hosts events. 3036 24th St. San Francisco, CA 94110 415-824-1761 medicinefornightmares.com

Wild West Access Fund of Nevada – Reno, NV

A statewide resource for people seeking reproductive health services. Folks can apply for funding if they’re seeking an abortion in Nevada. NOT a radical space you can visit but still lovely. P.O Box 561 Keystone Ave #398 Reno, NV 89503 wildwestfund.org

Black Spark Cultural Centre – Melbourne, Australia

A bookshop, gallery and community hub that presents music. Open Wed-Sun 11am-6pm. 235A St. George’s Road Northcote, VIC, 3070

Catalyst Social Centre – Melbourne, Australia

A new social center operated by a federation of grassroots collectives with a cafe, radical library and garden that present events. 144-146 Sydney Road Coburg, VIC, 3056 catalystcentre.net

Platform C – Seoul, South Korea

A new activist education space. 41 Dongyo-ro, Mapo-gu, Seoul, South Korea

The Queery – Brighton, UK

An independent, volunteer-run, queer radical bookshop and sober community space with a vegan pay-as-you-feel café. 46 George St, Brighton BN2 1RJ, UK. Thequeery.co.uk

Nordpol  Dortmund, Germany 

A not for profit and self governed bar and event space. Bronzer. 144 Dortmund nrdpl.org

Rizoma Coop – Lisbon, Portugal 

A food co-op grocery store that hosts events. R. José Estêvão 4, 1150-192 Lisboa, Portugal rizomacoop.pt

Centro Documentazione Porfido  Torino, Italy

They edit and distribute books, pamphlets and free anti-capitalist texts. They have a library with over 6000 books. “Center for the critique of capitalist society”. They also have audiobooks.  Via Luigi Tarino, 12, 10124 Torino, Italy porfidotorino.it

Corrections to the 2023 Slingshot Organizer 

• Anarres infoshop has re-opened inside Activespace at 1720 NW Lovejoy St, Unit 236, Mailbox 222, Portland OR 97209. Open 2-6 PM Friday and Sunday.

• Oops we left Flemington DIY off the list – the are at 26 Stangl Road Flemington, NJ 08822 856-431-3692 flemingtondiy.org

• Battery Street Jeans got left off – they are at 115 College Ave. Burlington, VT 05401 802-865-6223.

• Rag & Bones Bicycle Cooperative moved to 2916 North Avenue, Richmond, VA, 23222.

• Dalibom Book in South Korea has lost their space and is online only now.

• Deul Dabang has a new address: 1-131beon-ji Yuri Building 4FDongsung-dong, Jongno-gu, Seoul

• Sai Church in South Korea changed its name to Okbaraji Missionary.

• Songjeong Village Cafe in S. Korea closed.